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contmilcieca
14 günler önce -

Wrong Turn is a 2003 slasher film directed by Rob Schmidt, written by Alan B. McElroy, and starring Desmond Harrington, Eliza Dushku, Emmanuelle Chriqui, Jeremy Sisto, and Kevin Zegers. The first installment in the Wrong Turn film series, it follows a group of six individuals being stalked by a cannibal family in the woods of West Virginia.
Development for the film began in 2001 when it was announced Summit Entertainment and Newmarket Group teamed to produce Wrong Turn, a 1970s-style horror pic to be directed by Schmidt, while McElroy wrote the script. The film was a co-production between Summit and Constantin Film, with Stan Winston designing the creature effects and serving as a producer.
One year later after the massacre at Fairlake, two college students, Rich Stoker and Halley Smith, are rock climbing in a remote forest of West Virginia. Rich reaches the top of a cliff and before he can help Halley up, he is attacked and killed. Someone begins to yank Halley up the cliff, forcing her to cut the rope and fall to the ground. She flees but is caught in a line of barbed wire and pulled back into the woods, screaming.
Sometime later, medical student Chris Flynn drives through the mountains of West Virginia on his way to a business meeting. He stops at a gas station to ask directions, and the elderly owner named Maynard is of no help. Chris finds a map and decides to go down Bear Mountain Road. He collides with a stopped car whose tires have been punctured. The car belongs to a group of college students on a camping trip: Jessie, Carly, Scott, Evan, and Francine. They discover that their tire actually hit barbed wires, which was intentionally laid by someone.
While Evan and Francine watch the cars, the others go to find help. Evan disappears after he hears something from the woods, and Francine finds his ear on the ground. A mysterious figure garrots Francine with a length of barb wire. The remaining group enters an isolated cabin and are horrified to find human body parts inside. The occupants return home, forcing them to hide. Three cannibalistic inbred mountain men, Three Finger, Saw Tooth, and One Eye, enter the cabin with Francine's corpse. The hiding group watches as they dismember and eat her.
After the cannibals fall asleep, the group attempts to escape, but their captors awaken and chase them into the forest. The group finds previous victims' cars and tries to make up an escape plan. Chris gets shot in the leg while trying to distract the cannibals, and the girls take him to a truck, where they find Evan's body. Scott attempts another diversion for the other three to escape but gets killed with arrows. Jessie, Carly, and Chris stumble upon an old watchtower and call for help using an old radio. The cannibals arrive and are alerted when the radio responds to the group's call. Unable to get inside, the attackers set the tower on fire, forcing the three to jump out into the trees. In the ensuing chase, Carly is half-decapitated by Three Finger, while Jessie and Chris take refuge in a cave.
In the morning, the cannibals find them, pushing Chris down the hill, then taking Jessie back to their cabin. Chris survives the fall and meets a police officer, who is promptly shot by Saw Tooth. Chris hides under Saw Tooth's truck as he drives back to the cabin. Jessie, who is tied down to a bed, watches as the cannibals chop off the dead police officer's head.
Chris sets the cabin on fire and drives the cannibal's truck into the cabin. He frees Jessie, and as they flee Chris destroys the cabin by shooting at a fuel tank. The pair drive away in the cannibals' pickup truck. At Maynard's gas station, Chris stops and rips off the map, before leaving.
In a mid-credits scene, a deputy sheriff who had received the radio call earlier investigates the remains of the destroyed cabin. Three Finger, who survived the explosion, rises and kills the deputy while laughing maniacally.
Development for the film began in 2001 when it was announced Summ

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14 günler önce -

Italian media have reported that Leonardo Benevolo, one of Italy's foremost architects, critics, and historians, passed away yesterday at his home in Brescia following a long illness. Benevolo was an enormously influential figure in the field of architectural history who was continuously examining the problems and possibilities of our cities.
Benevolo's prolific career as an educator occurred alongside projects that he also designed and built, including the new headquarters of the Bologna Fair (realized with Thomas Jura Longo and Carlo Pomegranates), the master plan of Ascoli Piceno, the masterplan of the historic center of Bologna and the master plan of Monza (1993-97).
Italian newspaper Corriere Della Serra wrote that Benevolo joined Giulio Carlo Argan, Bruno Zevi and Manfredo Tafuri in the scholarly task of defining and historicizing modern architecture in Italy and beyond. His final publication, Il tracollo della urbanistica italiana, published by Laterza, was released in 2012.
But this greater scholarly attention has also revealed the difficulties that Brasini faced in his practice, particularly in the project for the basilica. Extensive documentation reveals the painful construction history of the church, along with the birth of the Parioli quarter that surrounds it and accompanied its growth for almost half a century. The story unfolds in the interweaving of the professional biography of Brasini and the activity of the Claretian order, as documented primarily in the Central State Archives in Rome (now containing the private archive of the architect) and the archives of the order.
For us today, the basilica constitutes a valid example of modern classical architecture: neither an arid academic exercise nor a transcription of earlier styles, but an authentic and inventive expression that shows how the historic tradition remains capable of new artistic forms in the hands of a visionary talent like Armando Brasini. That he continues to be disregarded by architectural historians and critics is a circumstance in need of correction.
Steven W. Semes is Professor of Architecture and Director of the Michael Christopher Duda Center for Preservation, Resilience, and Sustainability at the University of Notre Dame. He is translator and co-editor of New Building in Old Cities: Writings by Gustavo Giovannoni on Architectural and Urban Conservation (2024) and author of The Future of the Past: A Conservation Ethic for Architecture, Urbanism, and Historic Preservation (2009) and The Architecture of the Classical Interior (2004). cc7c31b456 garrfeliu
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4 yıl önce

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